Monthly Archives: January 2024

Winter Isolation & Writing

By Terry C. Misfeldt

What do you do when a blizzard hits and you are isolated from the rest of the world?

When a recent snowstorm dumped more than one foot of snow on our community, I could not get my front door open. Sure, I had other means of egress but the first thing that came of mind–after removing the snow, of course–was that it was a perfect time to do more writing.

Winter in Wisconsin has a tendency to isolate us. It’s either too cold to go out or the snow and ice makes driving hazardous. And there’s only so much television you can watch before going stir crazy!

Whether you grab a pen and spiral notebook to make notes or plop yourself at the keyboard and type away at breakneck speed, winter is a great time to write. Personally, I have set a goal of once again writing 1,000 words a day during 2024. Just keeping a daily journal piles up that many words on average.

Working on a draft of a novel or jotting down memories for a memoir, writing can give you a sense of purpose during the long winter months. It’s also a time to organize files, go through your library and get your affairs in order. Once warmer weather comes back, your mind and body will tell you it’s time to get outside again.

Weather, while seclusion can be productive for writing, should not keep you from getting outdoors and enjoying the cleansing nature of snow or the briskness of chill winds. Exercise is good for writers despite the adage about seats in seats.

Wrapping this up, I just noticed something about the first word in each of these paragraphs. What word works with winter weather? Did you get the clue?

Frog Wisdom #3

Playing With Words

Frog Wisdom

By Dorothy Seehausen

“The horse raced past the barn fell.” Sound familiar? This is a classic example of what’s known as a garden path sentence, in which the initial interpretation of the sentence’s meaning is wrong because it contains syntactic ambiguity in the first half of the sentence, creating syntactic inconsistency with the rest of the sentence. Thus, multiple possible interpretations. “The horse that raced past the barn fell.” Better?

          Garden path sentences often pop up in our first drafts. Not very many writers can coordinate the right brain’s creativity with the left brain’s editing tasks at the same time. Wouldn’t that be sweet – your first draft would come out completely edited, putting thousands of professional editors out of work!

          In the real world, our goal as writers is to get the story from inside our head to inside the reader’s head. Being able to recognize your own garden path sentences is an excellent editing tool when you’re down into the weeds of line editing.

          Here are some more examples from Effectiviology, which is actually a website about psychology and philosophy:

          The old man the boat.

          The girl told the story cried.

          The complex houses married and single soldiers and their families.

          We painted the wall with cracks.

Happy Writing from the Frog!

Check out my latest short story “Trace” in the October issue of The Mantelpiece Magazine at themantelpiece.org.

Frog Wisdom #2

The ABC’s of Editing

Frog Wisdom

By Dorothy Seehausen

        Remember the saying, “Those who can write, write; those who can’t, edit.”? As an English teacher and long time wielder of the dreaded red editing pen, I have found both with characteristic challenges. I would hope, however, that whoever is critiquing my work knows a little something about what makes a good story.

            Why, then, does editing one’s work seem so daunting? I believe it is because the creative aspect that we enjoy so much with our first drafts is missing when we start to edit, and we are faced with the application of a plethora of rules, directions, best practices, and….worst of all….the impending death of passages of some of our best work. These are the unkindest cuts of all.

To ease the task, I am finding critiques and feedback from writer friends an immense aid. To have objective eyes of a beta reader or colleague or even a supportive family member reading your final draft creates objective responses your first draft eye often misses.

Keep in mind the three kinds of editing: developmental (story structure); line editing (I call this wordsmything, finding the right word for the right job); and the final proofreading edit even your spell checker misses. They are all different tasks with different goals.      

The most important consideration I have found is to develop a system you can adhere to. Read editing blogs. Find out how the pros edit. Use checklists. And take those feedback notes seriously, clicking off what you the author agree with, and what you don’t. There is no greater feeling than having a polished piece all your own ready to submit to the world eagerly awaiting your prose!

Happy Writing from the Frog!

Check out my latest short story “Trace” in the October issue of The Mantelpiece Magazine at themantelpiece.org.