Category Archives: Creativity

Words, Words, Words

By Debbie Delvaux

What can truly be said about how we use words.
We use words to describe how to do things.
How to tell someone that they are beautiful.
How to say what we are thinking.
How to tell the world that we are upset or mad.
Some scholars use words to make us think.
Some high officials use words to intimidate us.
Some people use words to express how they feel.
Children use words to tell us how they feel about their own private world.
Sometimes we hear words that we don’t want to hear and have to face the fear we see in front of us.
Sometimes there are no words that can be said in the time of a loved one’s passing.
The best of words that can be said is love, beautiful, fantastic, caring, nurture, and happiness.
We all long to hear someone say I love you.
You have a son or daughter.
You have even hired.
Or even will you marry me.
We in a sense are all wordsmiths.
We use nouns, adverbs, adjectives, and phrases, thoughts to say what we are thinking.
We are all humans and from all different races, creeds, and ethnicities.
All our knowledge is made up of what we were brought up to believe in.
So go out there into the big world and do your best and above all.
Use your words wisely.

Competitive Writing

By Terry C. Misfeldt

Writers of every genre should consider competing for recognition by entering contests. Competitive writing stretches a writer’s composition skills and earns them credibility when they win. Of course, not every entry is a winner but it is worth trying.

The first step is awareness. There are many sites online promoting various writing contests. Your job is to find one that falls within your bailiwick and gives you a chance to win, place, or show to use a gambling term.

Second, learn the nuances. Who are the judges and do they review every entry, or is there a screener who eliminates some of the entries to make the judging less taxing on the final judge? How many words (please stay within the guidelines)? What is the deadline? What format must your entry be in? Is there an entry fee?

Third, if you can, review previous winning entries. There is no guarantee that writing something similar will increase your odds because the judges are likely different, but it gives you a sense of what wins.

Fourth, choose if you want to participate and start writing. You want enough time to finish your piece and edit it before submitting. You might also want to research the judge to know what he or she has written. That gives you an idea of what might appeal to them.

Last, finish your piece and submit it. Make sure you follow all the rules and guidelines, then wait to find out if you came out on top. And do not worry. If you win, great! If you don’t, consider it a learning experience and try again.

The Marketing Side

By Terry C. Misfeldt

Professionals in the publishing business advise writers that the easy part of getting your story into print is the writing of it. The marketing side is the other half and should be considered the most important…unless you do not care how many books you sell and are only interested in holding that precious chunk of paper in your hands.

Trust me: The feeling of having a book in your hands with your name on the cover is an enviable feeling. It is symbolic of hours and maybe (in my case) even years of work to write, edit, re-write, edit, and think about what you have entered into a document in the hope they will be someone interested in reading what you have written.

That is where the marketing side rears its head. Go back to the simple process of thinking about who you have written your book for: Who is your audience? If you had a test reader from that target group evaluate your story and they were impressed, you know there is a good chance your book has a feasible chance of selling to that audience. Call it market research.

Now, how do you reach that group of potential readers to let them know it is available for purchase? Can you get in front of them through social media? It is a low cost approach to marketing if you can approach it wisely and avoid alienation.

For broader markets, consider media releases to home town newspapers, college alumni associations, fraternities or sororities, organizations where you are a member, family and friends. One-to-one E-mails can be effective in creating awareness. You must plug your book mercilessly and not be afraid to ask for a purchase. If you are hesitant to do this, think about a lawyer who hangs a shingle outside her office and wonders why no one is interested in hiring her.

The first principle of marketing is to make people aware of your work. If they are at all interested, they will check you out. Do you have a website where they can order your book? If they like what they discover (cover art, cover copy, blurbs, etc.) they will buy.

Blog about it. Tag everything you do with links to your selling page. Print up business cards with the cover on the back. This is the marketing side, and here’s an example: I recently published my first novel, Shevivor, which has an excellent cover designed by Angela Collier and is now available through Amazon and my website, https://www.terrycmisfeldt.com/shevivor. It is set-up for Pay Pal purchases.

Thanks!

Why Should I Write During a Pandemic?

By Liz Allie

Finding the motivation to write is difficult for me even in the best of situations. My most consistent excuse is time. “I don’t have time to write.” Over the last few weeks, I have had all the time in the world. One would expect that I have been writing like a fiend since my biggest obstacle has been thwarted in magnificent fashion by a pandemic.

Nowhere to go. No one to see. WRONG. 

As I sit down to write I wonder…does this even matter? People are dying, people are losing jobs and losing their business and I’m going to write yet one more mystery book? Who do I think I am?

I close my computer, put away my notebook and sit. Just sit. I look for distraction and turn on the television. I flip channels until I see something that catches my eye. I watch the program. I turn it off.

I pull out a book by the same name, The Murder at the Vicarage, by Agatha Christie. 

It is a book of fiction. It is a mystery. I read it. I feel better during this time of craziness and loss. I escape to Saint Mary Mead and when I return, I am ready to continue on here in the real world. 

I am no Agatha Christie, but I realize that writing does matter. Even my writing. Perhaps a hundred years from now, my words will provide relief or escape to someone when their world has been tipped on its head.

So, friends, write like no one is watching.

How to Write Good Dialogue

By Rebecca Laurent

Writing good dialogue is no small task. I don’t imagine that there is any complete checklist that writers can follow that will allow us to craft perfect dialogue every time. There are, however, a few helpful rules of thumb that can help elevate flat dialogue and keep scenes from boring our readers.

Avoid using dialogue tags other than “said”

Trying to spice up writing using tags such as “she cajoled” or “she jerked out” is an easy mistake to make. Though, consider the reader’s experience. These kinds of tags can become very distracting from the actual conversations we’re trying to pull them into. Some might argue that these sorts of tags provide necessary information about a character’s disposition. Still, if those tags are truly bearing all the weight of such a large job, probably some critical content is missing from a character’s description and the wording of their lines.

Actually, use as few dialogue tags as possible.

Don’t get me wrong. Streams of naked dialogue are doom to any story, but that doesn’t mean every line should have a tag attached to it. Mix it up. Instead of “she said,” include a bit of physical description or body language which tells us more about a character’s mood. Such lines can let us know who is speaking just as clearly.

Edit out any conversations where your characters are telling each other about things they both already know.

Theater scrips have made this kind of banal conversation infamous, coining it as maid and butler dialogue. This is when one character says something like, “As you know, the master is out today.” If they already know it, why are they telling them? To readers, such overt attempts to cram in information come across as disingenuous and tend to pull them out of a story. Instead, ensure that your characters all have an appropriate level of motivation for whatever lines you give them.

Subtext!

So much of what makes fantastic dialogue fantastic is often not everything that the characters have said. Rather, it is what they have not said. Just like in real life, people in our stories can be passive-aggressive or say something which contrasts with what they’re thinking. Consider all the delicious possibilities which come with including a point-of-view (POV) character’s thoughts as they decide what to hold back from their conversation partner.

The Spring of 2020

By Dorothy Seehausen

Fishing on the Fox

It seemed like a vacation from the classroom at first, this shelter in place thing, probably a couple of weeks at most. I was sure I’d have gobs more time to write while keeping up with the pandemic on news stations.

 So, I cleaned and organized; re-arranged and threw out. I stocked up on necessities. I binge watched “Arrested Development” and season 3 of “Ozark”. I created a Seehausen Genealogy Facebook Group and connected with several relatives in the Midwest.

Yet I could not help being drawn into what was happening to the American way of life and I found a new perspective.  Facebook became an addicting time capsule. Schools and churches closed. Sunday sermons were posted on YouTube, parents added teaching skills to their tool kits, and college students exchanged dorm life for home life.

Health care professionals became our new heroes; and everyone kept hope alive from one inspirational meme to the next.

For my husband and I, daily routines changed right away. We bought less at the grocery store so we could legitimately get out more. Instead of the mall, we walked in Voyager Park in De Pere. We developed a newfound appreciation for life as well as each other.

But alas. I had social distanced long enough from my characters. Did Stuart Hall solve the murder of FBI Agent Jones in “Paint Chips”? What really happened to the cat in “The Tale of Duke Humphries”?  Is Molly McBride going to be happy as a secondary character in “Fire Pit”?

Experts predict things will get worse before they get better. A teacher myself, I’ll be back to work next week with online classes. Until then, I will grab a cup of hot chocolate and get back to business.

Let’s see now.…where was Stuart Hall when I left him?

A Blank Canvas

By Ruth Wellens

It’s nearly spring so I was beginning to clean out the corner of my basement that has accumulated the mess of year’s past. My son is going to graduate from college this May but left behind numerous notebooks from his elementary and high school years. Somehow between us, we have gone through the notebooks and ripped out the instructive pages, but I just have a difficult time putting perfectly good notebook paper into the garbage which ends up in landfills. So – I end up with a lot of half-filled notebooks with crazy adolescent writing on the covers. 

Good news: I also ended up with ideas yet to be realized. Procuring all of the notebooks and paper together, I suddenly became inspired to write! Sure, as writers we have ideas rambling around our brains all the time, but this paper was tangible. Each piece meant my ideas could turn into reality with strokes from a pen.  Sure, I use my computer most of the time, but there is a visceral pleasure in putting pen to paper when writing.  Even if it is an outline or bullet points for your writing, it is visual proof of that idea when put on paper.

My broken down half notebooks are now stacked in my make-shift office, ready and waiting to turn into a story board, a story, a novel, an editorial, or maybe just random thoughts to be expounded on another day. The excitement is there. It feels like New Year’s Eve rife with resolutions! The first day of spring with all the promise of colorful flowers, warm sun and brilliant hues of green. The potential adventure of travelling to a new place! All of the paper ready and willing to serve my ideas.

I have heard some writers carry paper with them at all times in case an idea comes to them. With the advent of cell phones, some writers use the verbal choice of talking into them to retain their ideas until they can sit and think about them more. Yes, some of us get our best ideas in the shower, which, unfortunately, is not paper’s best friend. As for me, I have my half notebooks with lots and lots of blank pages to write on!  

Bogged Down by Minutiae

By Rhonda Strehlow

Writers have a love/hate relationship with word count. Am I writing a novel? Short story? Flash fiction?

What’s my genre? Mystery. Romance. Action. Suspense. Poetry. Memoir.

Where do I fit?

We get stymied by unimportant details.

More important than word count or genre is making your words count. Lately useless words have been irritating me. Some. Almost. About. Filler words. Check them out when you read your next book. Notice that they don’t add anything to the story. They are a distraction. Eliminate them from your writing. Or, at least use them purposefully.

Write like we’re in this together.

Use words that evoke strong emotions. Cringed with fear. Bubbled with excitement. Cried until he collapsed.

Use imaginative action words. Walked is boring. Raced. Stumbled. Hobbled. Skipped. Danced. All better words.

Some of your words should stretch the comfort zone of your readers.  One reader told me she had to look up two words in one of my books. I challenged her to use them the next time we met.

Make your descriptions memorable. Not, “She picked a flower.” Instead, “She reached for the most stunning hydrangea on the bush of a hundred beautiful flowers.”

End each chapter with images so powerful the reader stops to process what he’s just read.

Challenge your readers. If readers don’t come away even a bit changed, a little more educated, after reading our books, have we done our jobs?

I’m disappointed when I read a book and think, that was a nice book. And, then promptly forget it. (I’m old. I don’t have time for nice.)  I’d rather my reaction be, ‘Tell me there’s a sequel!’

Adding Tension to a Scene

By Terry Misfeldt

A young writer asked me about adding tension to a scene and how you do it. The simple response is to create stressful situations.

Of course, you have to understand what causes stress. Things like divorce, danger, disaster, and diagnosis of life-threatening diseases such as cancer are on the list.

Think about the television shows you’ve seen where two characters are driving in a car when there’s a sudden, violent collision…and the scene ends! You’re left wondering whether they survived, were severely injured, were intentionally rammed by an evil character, or merely in the wrong place at the wrong time.

When that happened in the Nashville series, the female lead was killed in the crash. It is a dramatic twist that, in some cases, can devastate the future of a program.

In a recent episode of The Rookie, Officer Nolan is under duress because his girlfriend thinks she’s pregnant and he’s not ready to be a parent again. He already has an older son. They break up when he tells her he doesn’t want more children yet.

Dangerous situations or impending peril add tension. Arguments in dialogue add stress. Think about things that make you tense and craft them into your scene.

An example for adding stress is if you create a scene where a woman is walking alone on a deserted street at night and suddenly hears footsteps behind her after she hears a car stop and the van’s sliding door creak open. Take it from there.

Reading, Writing & Arithmetic

By Terry C. Misfeldt

This is about what is commonly known as the Three R’s: Reading, ‘Riting, and ‘Rithmetic but we’re not going to spend much time writing about Reading. We will cover how Writing can be improved with Arithmetic. It’s adapted from a Get Motivated Workshop presentation by Amy Jones.

One of my take-aways from the presentation was Amy’s comment that we all have 86,400 seconds in every day. There’s no excuse for anyone who complains they don’t have enough time in the day. It’s how you spend it that matters.

So let’s start with SUBTRACTION. Success as a writer is enhanced when you can subtract stuff from your life. Stuff like events, hindrances, and worry. Is it essential you attend a fundraising luncheon for a charity you’ve only a passing interest in supporting? There are things that may appear obvious for subtraction from your schedule–such as watching every baseball game of your favorite team on television–while others may be more subliminal like scrubbing the bathroom floor every day. Subtraction adds time to your writing itinerary.

Next is ADDITION. You may already have these in your regimen, but consider adding them if you don’t. Add things like Planning, Purpose, Passion, and Play. Yes, P words. Add some time for planning your projects…and your time for writing, re-writing, editing, marketing, and the business side of writing. Add more passion for what you’re working on because that gives you more purpose to accomplish your objectives. Add time for some recreation, too.

MULTIPLICATION. Multiply your expectations. If you can easily write 500 words a day, could you multiply that to reach 1,000 or 1,500 words with a bit more dedication to the keyboard?

DIVISION is important, too. You must be able to divide your writing time with your work, personal and family commitments. Relationships may falter if you lock yourself in your ivory writing tower 14 hours a day and neglect to feed the dog or spend time with your children.

Yes, writing involves arithmetic.